Parachute by Chris Stapleton
Key: F# · 112 BPM · 3/4
Parachute by Chris Stapleton is written in F# major. Its chords cycle through the I-V-IV progression — common turnaround / bluesy resolution: F#-C#-B. At 112 BPM, it moves at a moderate, driving pace, in waltz time.
The progression
This song follows the I-V-IV progression (Common turnaround / bluesy resolution) in F# major. Chords are automatically detected — if something looks off, let us know.
Play it in other keys
| Capo | Shape key | Chords to play |
|---|---|---|
| Capo 2 | E | E-B-A |
| Capo 4 | D | D-A-G |
| Capo 6 | C | C-G-F |
Chord chart
- 0:00 D#m
- 0:02 F#
- 0:05 G#sus4
- 0:07 Bmaj7
- 0:08 D#m7
- 0:11 F#
- 0:14 C#
- 0:15 B
- 0:19 D#m7
- 0:24 C#
- 0:26 B
- 0:28 D#m
- 0:30 F#
- 0:32 C#
- 0:34 B
- 0:38 D#m
- 0:41 F#
- 0:43 C#
- 0:45 B
- 0:47 D#m
- 0:49 F#
- 0:53 B
- 0:56 D#m
- 0:58 F#
- 1:00 C#
- 1:02 B
- 1:03 F#
- 1:04 D#m
- 1:06 F#
- 1:08 C#
- 1:12 D#m
- 1:15 F#
- 1:17 C#
- 1:19 B
- 1:20 D#m
- 1:23 F#
- 1:25 C#
- 1:27 B
- 1:29 D#m
- 1:32 F#
- 1:34 C#
- 1:36 B
- 1:38 D#m
- 1:40 F#
- 1:42 C#
- 1:44 B
- 1:49 D#m
- 1:51 F#
- 1:53 C#
- 1:55 B
- 1:57 D#m
- 1:59 F#
- 2:03 B
- 2:05 D#m
- 2:08 F#
- 2:10 C#
- 2:12 B
- 2:14 D#m
- 2:16 F#
- 2:18 C#
- 2:23 D#m
- 2:24 C#
- 2:28 D#m
- 2:29 C#
- 2:31 D#m
- 2:33 F#
- 2:36 C#
- 2:37 B
- 2:40 D#m
- 2:42 F#
- 2:46 B
- 2:48 C#
- 2:52 B
- 2:57 C#
- 3:01 B
- 3:05 D#m
- 3:07 F#
- 3:09 C#
- 3:11 B
- 3:13 D#m
- 3:16 F#
- 3:18 C#
- 3:20 B
- 3:22 D#m
- 3:24 F#
- 3:26 C#
- 3:28 B
- 3:30 D#m
- 3:33 F#
- 3:35 C#
- 3:43 D#m
- 3:45 F#
- 3:48 C#
- 3:50 B
- 3:52 D#m
- 3:54 F#
- 3:56 C#
- 3:58 B
- 4:00 D#m
- 4:01 C#
- 4:03 D#m
Frequently asked questions
What key is Parachute in?
Parachute is in F# major.
What chords does Parachute use?
The core of Parachute cycles through F#, C#, B (3 chords).
What is the tempo of Parachute?
Parachute runs at 112 BPM in 3/4 time.
What chord progression does Parachute use?
Parachute follows the I-V-IV progression. It's a common turnaround / bluesy resolution.
What capo should I use for Parachute?
Capo 2 and play E major shapes — that gets you open chords instead of barring in F# major.